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| | #7351 |
| BHPian | Thanks Navin, What is the lens coat for? Protection or for camoflaging in the wild? I may sell it after using it for a few years, if I feel like upgrading to a newer lens that may be released in the future. I do not want to make any irreversible changes. Is the coat something that easily comes off? |
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| | #7352 | |
| BHPian | Quote:
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| | #7353 |
| Newbie Join Date: Mar 2010 Location: Sydney
Posts: 5
Thanked: 5 Times
| For those buying sandisk cf cards, I strongy suggest looking at lexar. I have had very bad experience with sandisk extreme pro cf cards. I have 4 corrupted 16gb cards on my desk and still waiting for sandisk RMA letter to arrive in email (they told me 2weeks ago I will get it soon). If pro series cards are failing, god help others. |
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| | #7354 | |
| Senior - BHPian Join Date: Oct 2008 Location: Punya Nagari
Posts: 1,142
Thanked: 209 Times
| Quote:
Lexar doesn't sell CF cards in India last when I checked on their website. You may get grey market cards though. Regards, | |
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| | #7355 |
| Senior - BHPian | As a thumb rule, I, transfer all my pictures from the mem card to laptop & external HDD after completion of the shoot the same day and format the card. I use a 16GB extreme III CF. |
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| | #7356 | |
| Senior - BHPian Join Date: Apr 2007 Location: Bangalore North
Posts: 1,395
Thanked: 150 Times
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Majority of my friends are using sandisk of various GBs and never heard of any failure till date. As R2D2 mentioned, Lexar has SDHC cards seen at outlets, not the CF. Or it could also be a particular type of sandisk having issues.I have used Lexar (class 10) and Sandisk (class 6) SDHC cards over the past 2 years, never found any difference between the two either in shooting or transferring. | |
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| | #7357 | |
| Senior - BHPian Join Date: Oct 2008 Location: Punya Nagari
Posts: 1,142
Thanked: 209 Times
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I haven't had issues with the card so far, but having had bad experiences with storage devices, mainly HDDs, I take no chances. It is really disappointing to note that Sandisk's top of the line and expensive Extreme Pro can be unreliable. Cheers! | |
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| | #7358 | ||
| BHPian Join Date: Mar 2009 Location: Stockholm
Posts: 748
Thanked: 89 Times
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Read a lot on this forum that Nikon does not have a AF motor in the body, does this mean that Canon has it? Sorry if this sounds totally noobish, I am. Also when we come to lenses, say how much would a 50-250mm lens cost for Canon and Nikon respectively? Quote:
![]() Overview for Nikon 5100D Overall Score 80 Portrait (Color depth) 23.5 bits Landscape (Dynamic range) 13.6 Evs Sports Overview for Canon 550D Overall Score 66 Portrait (Color depth) 22.1 bits Landscape (Dynamic range) 11.5 Evs Sports (Low-Light ISO) 784 ISO Regards (Low-Light ISO) 1183 ISO | ||
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| | #7359 |
| BHPian Join Date: Apr 2007 Location: pune
Posts: 740
Thanked: 102 Times
| that means you won't be able to use auto-focus if the lens aperture is less than f/5.6 - usually a problem with variable zoom lens (non canon) - which at higher focal length offer lesser aperture |
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| | #7360 | |
| BHPian Join Date: May 2006 Location: Bangalore
Posts: 380
Thanked: 36 Times
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Whereas in Nikon, some lenses don't have AF and they depend on in-body AF motors. Hence the confusion. The canon 55-250 IS costs around 11k. Donno about Nikon. | |
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| | #7361 | |
| Senior - BHPian Join Date: Jul 2008 Location: Bangalore
Posts: 1,627
Thanked: 118 Times
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Modern AF lens have wide open aperture normally and aperture closes when you click the button, In manual lenses also same technique is employed which is called stop down metering. So focussing is done at widest possible aperture and then once focus is locked aperture blade closes down just before shutter opens. So You have limitation on only following scenarios for which you necessarily need 1D series body. 1. Using a Lens with smaller aperture less then 5.6 ( more F number). All modern lenses have larger aperture anyway so not an issue. 2. Using a lens like Canon 400 F5.6 with a 1.4X TC to get 560mm this will give you Av = 8 and for AF on this combo you need 1D series body. Or using 2X TC on 70-200 F4 L lens to get 140-400 F8 lens . However such scenarios are rare and people use Tele-convertors on fast lens and not slow lens. | |
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| | #7362 |
| BHPian Join Date: Nov 2009 Location: Bangalore
Posts: 209
Thanked: 96 Times
| Thank you guys for your support and suggestions. I will get my hands on a new Canon 600D and a Tamron 18-270mm VC PZD lens soon. I am told that the equipment has been couriered from Mumbai. I brought it from JJ Metha and sons, they have reasonable prices on almost everything they sell. Waiting restlessly now. |
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| | #7363 |
| Senior - BHPian | Zoomin has revised the prices for 550D it was 35+ couple of days back, now its shows 38,795. not sure if the prices have been hiked on other models? |
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| | #7364 |
| BHPian Join Date: Mar 2009 Location: New Delhi
Posts: 909
Thanked: 205 Times
| I too have joined the DSLR gang now - bought a Canon EOS 550D with 18-55 IS lens through letsbuy for Rs 31650/- . Ordered on 29th with a 2k off discount coupon, recieved it yesterday and really saved a lot compared to prices on other sites and shops here. Clicked some pics and its really good - paisa vasool ![]() Got a 4gb card and Canon bag free with it, there stock had finished and thanks to Letsbuy who procured the camera again on 9th may and promised to deliver on time. In US the 550D/T2i is more expensive than here, the Japan issue it seems, shortage of this cam. Last edited by coolboy007 : 12th May 2011 at 21:24. |
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| | #7365 | ||
| BHPian Join Date: Nov 2008 Location: Pune
Posts: 241
Thanked: 78 Times
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http://www.nikon.co.in/pagearticle.p...=90-bc33aa60a2 Quote:
Low light ISO score talks about noise levels at high ISO values, noise is grainy specks which may be of different color than the expected color in the photo. Cameras and post-processing software can reduce noise ( this is noise reduction ) but the effectiveness is variable, and it can reduce the detail level in the image. In DXO scores, higher is better. Dynamic range is the range of brightness that the sensor can detect, basically the range between the darkest blacks and brightest whites. It is crucial where a scene you are shooting has very bright and very dark areas, due to the DR limit, you either lose the brightest areas which appear pure white ( called washed out or clipped highlights, because the sensor can't show anything brighter ) , or you have to underexpose to retain the detail in bright areas, but then the dark areas get too dark and end up black with no detail. Again, higher dynamic range is better. Color depth is the range of shades the sensor can display. It's in a way similar to LCD display specs, like 65k colors or 16M colors , which depends on the maximum definitive values or the bit-depth . 8 bits -> 256 , 16 bits -> 65536 or 65k, 24 bits -> 16 million , so theoretically with 24 bit depth, a pixel can display 16 million shades. Color depth seems adequate and comparable on modern SLRs, but noise levels do vary a bit more, as does dynamic range , but real-world differences are small, unless you desire the perfectionist's levels such as viewing at 100% resolution, which is termed pixel-peeping. Much of the time these differences are irrelevant as JPEG compression eliminates much detail, which is why shooting in RAW and post-processing later is recommended. That's quite a steal ! Last edited by Ricci : 12th May 2011 at 22:50. Reason: adding url for price list | ||
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