Quote:
Originally Posted by tortoiseNhare 1. In Bruges, starring Colin Farrel, Brendan Gleeson and Ralph Fiennes. It is a drama involving two hitmen. Excellent movie. |
Thanks for mentioning this movie. I just finished watching it just now, and I enjoyed it very very much. Among the best movies I've seen in a while.
A rookie hitman and his Gay spotter (a more 'senior' hitman) escape to the Bruges (in Belgium) awaiting instructions from their employer/boss. The older one (Brendan Gleeson) uses the time they have in the town to enjoy the breathtaking sights of the culture-rich town while the younger one (Colin Farrel) grumbles about the boring town and about the time he has to spend there before moving on. What they are there for, they do not know (cooling their heels, or for a 'hit' in the town). We learn about the 'job' they had done before they came to the Bruges, and the baggage that that job saddled the younger hitman with. A few days later, the call they were waiting for comes. And then, things start happening.
The movie has its particularly funny moments (that remind us of the typical Guy Ritchie movie) and its really dark moments. It has its (non-cheesy) displays of selfless friendship, faithfulness and honor. Colin Farrel is at his best ever (IMHO) in this movie. Brendan Gleeson and Ralph Fiennes (he appears for a short while only) are also simply great.
Watching this movie and then enjoying the few after-the-movie minutes is like reading a treatise on philosophy. The more you think about it, the more the colours and shades of meaning come out. The way the concept of purgatory and then "final release" is woven into the narrative bit by bit -- first subtly and then slowly overtly -- is simply beautiful.
All the characters (the few that there are) have been built very well. Even the characters who appear for just say 3-4 minutes in total mean something or stand for something. Every one of the people who appear on the screen (except for the extra players) have an important part to play in the movie. The last few minutes of ending are a bit dramatic and a bit exaggerated, but the exaggeration is no more than what is needed to bring out the true theme of the movie. This is one of those few movies where you need to leave 'reality' outside for a few moments in the ending, but once you see the incidents for what they are, you don't feel like you're being made of fool of.
This is the kind of movie that you can watch again and again, and each viewing will give you a lot of additional enjoyment as you see various clues and 'props', and dialogues and side-characters that help subtly build the philosophical back-bone of the movie.
Must see!
Last edited by hydrashok : 27th April 2009 at 20:44.
|