So many car and tyre commercials are being aired these days. Drone and rig technology has transformed the way we shoot cars. Just some time ago I was lucky enough to be part of a car accessory commercial (not named here, as the purpose of this post is to see how crews shoot). We used an excellent drone team from Slovenia who not only had experienced pilots; these pilots understood camerawork, and that’s a rarity.
I should have done this post much earlier. So thanks to the mod team of Team-BHP for encouraging me to put this up. I have not mentioned the brand (it’s not a car at all) nor have I included a link for the final commercial, that’s not the purpose of this post.
The Location
The High Alpine Road, Austria.
What was extra special is that it was shot up and down the High Alpine Road in the GrossGlockner glacier region in Austria, which commands some of the most scenic ski slopes in the world. Of course winter was just setting at the time of the shoot and in fact we were in a race against time as a cold front had started blowing in from the North which meant a lot of fog and minimal light. Of course in the end what we thought as bad luck turned out to be good luck as the murky conditions gave a mood that went well with the film. Our base camp was the iconic village of Hellingblut where all the skiers stay in the season and it’s offbeat for most Indian tourists who are happy with Vienna and Salzburg.
The High Alpine Road has been nominated as one of the top 10 roads of the world by Jeremy Clarkson of Top Gear and that was one sort of unsaid reasons the director chose this location for the shoot. When you travel on this road you can see cyclists, superbikers and car enthusiasts who hire Ferraris and Lamborginis for a weekend just to drive on this road. The road winds up and down almost 180 degrees at places. The climb is nearly a 1000 meters and the views keep changing brilliantly every few hundred meters. Plus there are a lot of vista points with coffee and soup shops to keep tourists and roadies warm.
The Car
The choice of car for the commercial was unanimous; it was the Jaguar XF because it was a perfect brand image fit for the car accessory product we were shooting for.
This first video shows you the beauty of the place, a glimpse of the tight crew and the car.
Meet the Drone
The second video I would like to share is close-up of the drone itself, fitted and ready to fly. It is not a conventional drone that you get off the shelf. This one is custom built for shoots and can easily lift heavy cameras, fly faster and can be far more manoeuvrable than conventional drones. The remote itself if you can spot it in the videos is a much heavier piece. The pilot is required to have actual flying experience and the one we had had many years of flying copters. The drone could climb to about 700 meters if need be but were not allowed to because that’s considered as low air traffic height. The range of flight is roughly 2 kilometres ie the drone can be manoeuvred from upto 2 kms away. Of course there are more powerful drones than this, but for me this was the most powerful one I had encountered.
Drone video:
The drone is not just used for bird-eye view (aerial view) camerawork. Because unlike an aerial camera the high degree of manoeuvrability means we can use it for a variety of shots. And in the process we can get right into the action. And that’s what I would like to illustrate here piece-by-piece.
Car Follow Shot
One of the first shots we did with the drone was to follow the car down the road. Because we were using a wide angled lens we could not only get the car but much of the beautiful morning mist that settled between the turns. Somewhere you can see a glimpse of the Alps too.
Car Follow / Tracking shot:
Fly-across Shot
For conventional truck mounted camera rigs flying in front of an approaching car is a complex set-up. For the drone it’s just a simple movement on the remote.
Fly-across shot video (skip ahead to 1:25):
Side-tracking Shot
The drone easily tracks the camera by the side of the moving car, completely giving the director a side shot. And then the cameraman can even pull back and across and zoom in if need be. This is really flexible compared to a more traditional rig-based truck again. The first two videos below are conventional rig shots so you can see they are a bit more complex to achieve when you compare it to the next two side videos using the drone. Cameras are getting sophisticated each passing year, not too far from cinema quality for drone mounted cameras.
Conventional rig side shot vids:
Side drone vids:
Bird-eye Tracking
This is the more sort of conventional use of drones in camerawork, the top angle bird’s-eye view. Usually the wide-angled lens also helps in giving perspective and a sense of the panorama of the landscape.
Bird-eye tracking vid:
Zoom Shot
There is a lot of joy for directors as they can go from emotion to an establishment shot in one movement. The drone can also be used to shoot a close-up of the actor and zooming out to set the emotion against the setting or landscape.
Zoom vid:
Drone Take-off and Landing
It looks easy. But even with a bit of wind the control required is quite delicate when the drone takes off. Landing a drone requires manual help so that the drone and camera is not damaged, especially since the rig is much heavier than conventional drones.
Take-off and Landing vid:
Drone landing skill vid:
Drift shot on the edge of the Alps
This is one of the drift sequences we shot, the setting is marvelous and not every day do you get to see a Jag drifting. Of course a more conventional rig was used to shoot this, but if anyone has seen the Gymkhana 5 videos drones are used there for the drifts.
Drift vids:
Ease of shoot compared to India
It’s a breeze to shoot in Europe (or even Thailand) compared to India, even if you are to consider traffic being equal. The Alpine Road authority gave us two road wardens at both ends equipped with their own walkie-talkies. They could make sure the traffic halts were organised so takes could be peacefully shot. Also the drivers themselves, no one got out, no one asked, it was like this too was part of their picnic.
Discipline vid:
Map of the High Alpine Road
This is in case you are interested in knowing what’s the stretch of the road in question. You can see the glacier of Gross Glockner and the surrounding peaks. Prime ski country. Though be ready to pay Rs. 40 for a pee, and it does get quite chilly.
Map vid:
Ending Note
I am sure one of these days we will have an entire A-List film shot completely on drone. Not just a thriller but a human drama movie.
I would like to thank a few people for this experience:
John Francis (the director) at
Carbon Black films
Janani Ravichandran (the producer) at BWP Totem
Kole Kolisevski (Line Production - Slovenia)
Kopterworx (Slovenia)
Adriana Posso at Camino Media (Spain)
Iztok Medja and the team at Division Productions, Slovenia