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Originally Posted by arindamray Konark temple also had the similar structure (though sabhamandap is in ruins) and the phenomenon mentioned above said to be true there as well.
You can also see example of Kalinga architecture in Pattadkal - one of the temple in the complex followed that.
Obviously apart from Lingaraj and Konark (though I am not sure if Konark followed the distinguished Kalinga style, have to crosscheck photographs), Puri Jagannath teample is another temple with the Kalinga style. |
Well, Pattadakkal is typical Hoysala with Dravidian influence. Kalinga type was mostly restricted to where the Kalinga empire spread. And the sun temple at konark is basically a different idealogy with the whole temple base forming the chariot of Surya (including the wheels that could move). Over here as Ramkya pointed out they are mounted on lotuses. Since this temple was built after the Kalinga period, am wondering whether that one temple tower in the Suryakund was an inspiration taken from the Kalinga rulers!
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Originally Posted by mazda4life Dear MX6, Please continue to post the detailed travelogue as it is a treat to our senses ... it is mindblowing just to see these sculptures and to step back and imagine the amount of creativity and the talent that our people had to interpret the maha kavyas and turn it into these sculptures. |
Thanks Mazda4life. The best part is yet to unfold! That will proceed this week!
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Originally Posted by ramkya1 If you notice the corners on photographs you'd see the temple sits on a lotus, Konark is different. The scale of Konark is on a much larger scale.
Good Captures all. @ Mani: Waiting for more exciting pictures.
--Ramky |
Thanks Ramkya sir. More pics are coming up. Konark is not just larger scale, it's also slightly different idealogy as pointed above.
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Originally Posted by roamingrao MX6, A visual treat !
appreciate your attention to finer details - especially the carved pillars and lotus shaped roof.
Suryadev mandir, Modhera. I guess the stone used is sandstone - |
You are absolutely correct there. It is indeed Sandstone. Though there's a huge belt of Marble rocks available closer, the kings had decided to use Sandstones! Thanks for your kind words. More is coming up.
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Originally Posted by Fauji Mani,
Excellent!!!
This brought the memories of our trip 2008 to Modhera and Little rann.
The carvings are intricate and unfortunately are getting eroded slowly as they are built of sand stone and the being closer to sea has salt content in the air.
Looking forward to pictures of the beautiful "Rani ki Vav" the step well closer to Modehra.
Yes Ashok. It is made of sand stone. You can see erosion in the pictures. |
Thanks Fauji. Isn't there any place you haven't gone yet?
Yes, another 2 or 3 sets of pics of Modhera. Then it's over to the stunning Rani Ka Vav. And you are right about the erosion caused on the sandstones. Hope these magnificent edifices are preserved for later generations to see and appreciate our wonderful legacy!
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Originally Posted by honeybee MX6, some fabulous photography there!
If it doesn't sound too distracting, could you comment on the journey a little bit? The average speeds, the average FE and so on?
Also to answer some queries on hiding the vehicle registration numbers, since this is a public forum, it is best to not disclose too many personal details such as mobile numbers or vehicle numbers. While I don't know if this is a formal policy, I do request all to follow it. |
Thanks Honeybee.
No distractions there. Will put that up when I analyse my trip logs at the end. Yet to touch my Garmin after the trip. And The fuel efficiency is something I didn't bother to calculate. Normally I get 18 - 19 on highways.
Yes, I do agree with the blanking out of reg plates. Not everyone here in this forum is a friend until you know them personally! Last I want is some stalker.
Welcome back to the Elephants of Modhera.
Side profile of the Guda Mandap. While the whole temple rests on the lotus petals, we have another layer of separate lotus flowers over which we have the elephants! Above comes the sculptures of the multitudes in revelry! Followed by larger blocks of patters (including many of lotus) and the gods above them. Over that is the shikhara that has intricate geometric patterns carved out.
That's Suryanarayana with 4 hands (of which he's already lost 2).
Vishnu in the eternal sea lying on Adisesha. Besides him is his Consort Lakshmi.
No comments on this.
Here's the churning of the ocean where Vasuki the snake was used for the rope and mount meru supported on the tortoise as the churner with the devas and asuras on either side. But wait, why is the ocean like a pot?
People out on war.
Not sure who this is. Could be Kubera. But then there's a dragonfly on him.
Finally, Surya himself. Standing tall on his chariot drawn by 7 horses.
Close up of Vishnu. Dismembered and mutilated. Seems more like works of miscreants than test of time.
Up next: The Shiva temple at Modhera