Re: Restoration : Should we / Shouldn't we? A discussion on preservation of cars If I were to take a car and clean it everyday which involves wiping the paintwork daily chances are in 15 to 20 years I would have wiped the paint layer off and exposed the underlying primer. So also the leather.
So to ensure a car remains blemish free for a 100 years not only would I need to not touch the paint but store it in a climate controlled environment as the heat, moisture and cold of seasonal changes wreaks havoc even if a car is parked on stilts in a covered garage.
Given the above, really old cars end up flaking their paint off in chips and upholstery fabric comes apart to the touch or leather becomes bone dry and bereft of suppleness and this is not a result of non caring owners, as some of you have suggested, but the ravages of time and seasons.
Come to modern paint systems with mfgs going to phenomenal lengths to electrostatically charge car bodies to enhance primer and paint adhesion to inhibit corrosion it's pretty impressive that some of these cars in a 100 years still have some paint left considering their paint application was at best crude compared to modern treatments.
So what many of you attribute to carelessness of owners I disagree and attribute to the invariable ravages of time and seasonality. The Darbhanga RR, the Kalahandi RR and the Nizam's cars all seem to have weathered similarly. Chances are all these cars were stored similarly ie garaged and on stilts.
Now given their condition today, and agreed they are not the most aesthetically pleasing of cars, what if any case needs to be presented for their preservation?
Why preserve these cars which display the ravages of 70-100 years? Considering not many have survived in such original but weathered condition globally surely to me they make for awesome museum exhibits. I am assuming that like the present Nizam the owners of the other cars too do not expect to use these cars and hence would retain them only for display. Should an owner intend to use the cars obviously all mechanical/lubrication and corrosion concerns would need to be addressed before doing so, which in other words calls for a comprehensive restoration.
Lets ask then what such a museum exhibit has in terms of value. Three elements come to my mind
1. The rarity, beauty, design of the car itself
2. The provenance or ownership history and tales associated with the car and its ownership.
3. A rare glimpse into what a 70-100 year old car looks like without ever being repainted or reupholstered.
the above three elements in mind make up for a splendid value creation in a museum exhibit.
I am not against restoration of automobiles. As I mentioned if an owner chooses to reuse the car then a restoration is in my mind mandatory if he wants to avoid dramatic wear and tear when a vehicle is put back into use after decades of non use. The extent of work involved in such a project where you wish to put back on road a car that has not been in use for decades is monumental to say the least and calls for a massive resource of funds , parts, expertise, patience and plain and simple hard toil to get things right.
But as a museum exhibit, intended as an educational experience for visitors, cars left in an as is condition offer the above three valuable experiences for any visitor. This is a very precious experience.
When I disagree with any of you and openly state that it was a monumental blunder on the part of the Nizam's estate and the restorer to repaint and reupholster the cars I don't mean disrespect in anyway. I simply differ in my view point.
What has happened to the Nizam's cars is that the second and third point have been destroyed forever in terms of the intrinsic values the museum exhibit had.
No doubt the first element has been enhanced and is most certainly a more pleasant way to experience the first element but at what cost? You applaud the destruction of the cars' history and existence in time and the special stories associated with their ownership, all reflected in the changed bodywork or the weathered condition.
I am surprised so few see what has been undone. To me its an inexcusable violation of the integrity of a museum exhibit.
To many of you it's an enhancement but that's part of the story, you seem to gloss over the fact that something precious ie the ravages of time told as a story in chipped paint and torn leather was done away for good.
The Nizam's cars are less of museum exhibits and more of a caricature to me in their new guise. I tried hard to like what they have turned into but in light of what they have lost I am afraid I do not see much merit to their new iteration as museum exhbiits. They simply are lesser than what they were before they were worked on.
Not many owners around the world are wealthy enough to park cars for 100 years and not bother about reusing them ever. The Nizam has palaces lying around for just as long with priceless treasures and for decades things remained unmolested because the owner could afford to keep things so. Today you have a fully furnished Falaknuma because its a house that was sparingly used. Other buildings in Hyderabad have not fared so well ie the Residency etc shorn of their treasures as they were used extensively.
Museum exhibits, not intended for reuse, have a place in society. Not everything needs to be restored and repainted just because we want it to look like new. Unless ofcourse you intend to reuse that object. The only work I recommended to the estate was to repair the damaged roof of a Napier and make a wheel for the Fiat. Contrary to what some of you suggested none of the cars were falling apart to warrant such a reworking of their appearance. Left in a reasonably secure environment (I recommended sealing the enclosure and using a dehumidifier) the cars would have remained without falling apart for another 100 years.
Last edited by DKG : 2nd March 2013 at 23:27.
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