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I am kinda unable to get both the points stupid: . Why can't we use a consumer grade lens over a D200? A D200 is a semi-pro DSLR and is DX-format and I dont know whats wrong in using it that way?

Again with the Nikkor 50mm f/1.8 combo with the D3x, still i am trying to get the point. Nikkor gives only three options for 50mm prime - f/1.8, f/1.4 and f/1.4 AF-S.
f/1.4 is an overkill for many.
And Nikkor 50mm f/1.8 is a FX-format so no question of vignette with full frame. So is there any valid reason for not using that lens with D3x?

And why is that not going to work out precisely?

Peace. I may have not got your points correctly it_inspector, so kindly bear. But maybe you can share some insights into if I am missing anything here.

Indeed.
But an expensive glass when used by an EXPERIENCED PHOTOGRAPHER does make even better photograph than using a cheap glass by the same guy and for the same subject at the same FL and same setting.

This is a hard fact for any Experienced or non-Experienced photographer that glass quality DOES matter. There's no magic.

Its better to wait than compromise. The proprietory lens are expensive but not all expense goes to brand premium.
My Tamron 90mm Macro performs as good as Nikkor 105mm macro BUT only till f/8. Beyond f/8 there is a clear difference in sharpness between the lenses. So the price diff is justifiable.

I do not have a reqmnt to use it beyond f/8, so I am good.

Lemme buy a 1 lakh rupee lens (Expensive enough i guess) and take pictures. The pictures should be far better (cos of glass quality) than the cheap lens even though i dont know 80% of the features.

the point is- expensive lens adds the points for the experience one has in the field.
Peace.

Thats an individual opinion.

Well my opinion goes like this. Think of the category you are in and buy the lens accordingly. Once you are well verse with it and think that im experienced enough to handle an EXPENSIVe lens, sell the old one and buy a new one.clap:

Agree and disagree.

Agree because, I have seen people using D40 with kit lens taking awesome pics. Also people with Canon 350D with kit lens. Neither of the kit lens comes with VR or IS respectively.

Disagree because, not all can be / want to be experienced photographer!!

Avi, I still suggest you to either go for the 18-55 VR or get the kit lens repaired. You did well while taking pics with the kit lens too while for some pics I felt the VR lens would be better.

option 2:

Since you are insisting on the tele zoom, you can get your kit lens repaired and buy the tele lens 55-200VR on a later date or save some more and go for 70-300 VR.

I so didn`t wanted to jump into this conversation and i was trying to avoid it, but looks like pandora's box needs to be opened. There are 2 major factors when using a DSLR - LENS combo, these are LENS Resolution (or Optical Resolution) and Sensor Resolution, please don't confuse with Megapixels (in other words Image Resolution). For ease of understanding, think of Sensor Resolution as ISO performance or Sensor Sensitivity (yes yes, its both right and wrong here).

With Semi-Pro to Pro bodies, Sensor resolution (or senstivity) is higher and hence lenses are designed with this fact in mind. Lens will outresolve sensor, in other words, Lens Resolution is higher than Sensor Resolution.

With consumer bodies, Sensor resolution (or senstivity) is low and hence CONSUMER lenses are designed with this fact in mind. CONSUMER lens will outresolve CONSUMER DSLR sensor, but Semi-pro to Pro bodies will outresolve the Lens, in other words Sensor resolution is higher than lens resolution.

Ideally Lens Resolution should outresolve Sensor Resolution otherwise Sensor is crippled by the Lens.

This is why it doesn`t make a sense to use consumer grade lens on a Semi-pro to Pro body. PnS cameras have same issue where sensor out resolves the lens (except Panasonic Lx-3 where its almost same).

About Nikon 50mm f1.8 on D3X/D3, well why would you use a consumer grade lens and decrease AF efficiency and still depend on AF ??? I cannot understand this.

Actually nikon also has 50mm f1.2 Ai-s variant and it isn't that expensive from 50mm f1.4 ai-s but is quite expensive from both 50mm f1.4 afs and D versions.

And with D200 one can adjust focusing issues for each lens, for example ur friend is having sharpness issues, usually caused by Sigma`s front/back focusing issue, it can be corrected quite easily in D200.


Not really, for me using 70-300mm and 300mm f2.8vr is the same thing, since i stop down both to do my landscape shots. Unless i have to shoot at f2.8 but then again 300mm f2.8vr was not designed to be used at f2.8, it shines at f4 ;)

Glass does matter but the fact is this has been quite hyped now. Good glass gives almost same results sicne zooms are in similar performance ratio with primes now days. Where primes or good glass shines is faster AF and sometimes wide open aperture.


You cannot be suggesting that You don`t use your Macro above f8, macros are meant to shine between f5.6 to f16, otherwise DOF is just not available to do macros. Unless you want to do fake tilt-shift with macro, then its a different thing.


Sorry but, 1 lakh is nothing for lenses these days, my most expensive DSLR lens is around Rs.4 Lakh and i am still not satisfied with it.

Sorry but expensive lens doesn't add to experience, expensive glass adds to convenience only and maybe faster AF performance. Going nuts shooting and experimenting adds to experience.

Cheers

I haven't checked this thread since morning and it seems to be that i am a culprit of starting a raging debate whether Sigma 70mm-300mm is a good lens or not with a lot of emphasize being laid on photo takers ability.

Well, i am an absolute layman in terms of photography and slow and steadily learning the ropes as i am in no rush to become an award winning photographer:D

Thanks to all you folks for your detailed feedbacks and healthy debate that has thrown a meaningful insight to what i can expect when and if i buy those lens.

I do know a few things for sure about 70mm-300mm Sigma APO lens as i was checking out quite a few samples last night

1. 70mm--Super sharp pics

2 Until 200mm-- Decently sharp pics

3. Above 200mm until 300mm--Good pics with subject if is center weighted comes out sharp but corners tend to soften up way too much.

@Livyodream, i cannot acess flicker from work, will check that link out in the night and see some results of these lens.

@kkrk2, my Nikon D40x "estimation result" has arrived this morning for the faulty AF issue on kit lens ( 18mm-55mm) and it seems the AF motor is fine but some board is not working and that board it seems is not available.

So i reckon i will have to manage with Manual zoom for my upcoming trip OR invest in a NEW VR Kit lens...my hands need to be inserted way too deep inside my pocket:Frustrati

At that price, Sigma still looks tempting so i am going to continue look at more sample images and parallely double check that "Delhi Deal" and decide soon.

Indeed.
Its good to look out for proprietory lens in that category for nearly equal specs. e.g. a Nikkor 70-300mm f/4 is way better than the Sigma counterpart, but it comes at a price.

On a lighter side-lol: A 1 lakh lens will not buy you compositioning skills

Agree and disagree, but rightly said its a personal opinion. I would better learn on a better quality glass (definitely not the best glass which is way expensive but the decent ones).
If am an enthusiast and can't afford a MIVEC then better I'll get a Palio GTX, but not an Alto :-).


@Mobike- I would suggest u go for either a 18-55mm VR or the 55-200 f/4. If u think 18-55 is a repeat and expecting to get the one repaired then 55-200 is a good choice. I think it'll cost you nearly 10-12k grey. Use it in a right way and u r all done.

But my stand would be still against the Sigma APO.

OT:Sharing my website link: Link to my website

Great shots!clap:

What kit do you have?

Double OT:
I didn't know it was you Bibudesh. Data modeler ko bhool gaye kya? :P I am not active on the other forum. :(

Can you beileve i checked all 16 pages of your friend and i am was amazed at the quality of the pictures. This has made me lean further towards it, thanks !

The lens seems to come out very well on the Macro end ( since 99% pics are macro). Pass on my best wishes to him, great job:thumbs up

And for all the Canonians who are deciding between Sigma 70-300 and Canon 55-250IS, Check this stream from a bangalore photographer. He uses 55-250IS extensively!
Flickr: swaheel's Photostream

Redrage also has had this lens for sometime and I am sorry I lost his flickr page URL.

Thanks GD Bhai &Thanks Rajiv.

I'm planning to purchase a gt3530LS so would be heading over to CC this weekend (most likely) to check it out

Cheers!
m2s

I don't know is this is allowed or not. But i am just curious as to whether DSLR users here have their kit insured and if yes then by whom.

I personally have my kit insured here and would like to do the same while in india, so looking for suggestions too.

Thanks

One more issue to solve:

How do we take care of Cam and Lens in cold freezing conditions and snow?

What should I do if moving in and out of the car/Train/Hotel with freezing outside and hot inside.

Similarly How do the avoid dew/frost on lens and cam while entering from cold to hot region like hotel.

I have heard people carrying zip loc bags and while entering hot region from cold, they lock it in bag till the cam/lens come to normal temp.

BTW in my last trip to Ladakh this Sep, I never really cared about this issue with my Olympus P&S, though I was shooting in heavy snow and chilling night weather, moving in and out of the car.


And how do take care of battery power in cold conditions, carrying extra batteries and battry Grip ?

Some consumer lenses can easily out resolve the sensors of most semi and pro DSLRs. Please see the link for a review of the simple 50 1.8 AF on a D200 here.
Nikkor AF 50mm f/1.8 D - Review / Test Report

Could you please explain about this feature of the D200. If you are talking about the AF fine tune adjustment I am not sure if the D200 has this feature.


I respectfully disagree with your statement and know a lot of people who have a 300 2.8 just for the 2.8 and swear by it. I myself have found the 300 2.8 very much at peak sharpness at 2.8 with only slightly better borders at F4 on the sample I tried.

I am talking aboud 50mm f1.8 on D3X/D3 and 70-300mm on D200.

As far as i know every FX lens is designed to outresolve upto the level of D3x except 50mm f1.8


No D200 doesnt have AF Fine tune but there are alternative ways to do it, extreme being opening up the DSLR body and Lens rear element adjustment.


Well so far every 300mm f2.8vr i have used is a bit soft in the corners at f2.8, at f4 its sharp all around. Then again there are around 10 different versions with 2 different VR versions. I have the AFS VR 300mm f2.8G IF ED and it shines from f4.

Cheers