Quote:
Originally Posted by mail2sekh ...
Thanks for all the excellent tips. Am not a purist. |
Congrats on setting up your system mate. A point or two:
@
sandeepmohan has already made good suggestions regarding the boxes around the Sub etc. The point also is to reduce the surfaces the sound gets reflected from. Unwanted reflections in themselves can make a good system sound like a much poorer one. If changes are not practically possible, one could try to reduce reflections by treating the boxes with sound insulating stuff to the extent possible. You can make choices between decor and various levels of insulation.
The other suggestion is easier and also important:
Try and pull out the floor-standers out a bit, and tilt them a bit inwards towards the ears in the main/central listening position. This aligns the ear-drums and the speaker drivers better and make a perceptible and even significant difference, at least to skilled listeners. Eventually do what feels right to your ears, but based on significantly long listening.
Quote:
Originally Posted by satnan Hi All,
Looking for some advice.
...
1. ~75 inch TV + a decent Atmos Sound bar (looking for deals on Samsung Q990B). If I can get a Samsung TV supporting Q Symphony /eArc during the next festive season for about 1.5lakhs, this whole setup may cost approx 2.2 to 2.5 lakhs. If I go down to a 65 inch TV which is more main stream, then overall setup price can come down to about 1.5 lakhs.
2. A traditional home theater setup. As far as I have enquired so far, even a decent 5.1.2 setups with a 4K projector seems to cost upwards of 3.5 lakhs.
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1. Can the sound quality from Q990b be comparable to say a wired 5.1.2 system with decent speakers?
...
Inputs / suggestions most welcome  |
Quote:
Originally Posted by satnan Have seen the Sonos Arc, One SL (Pair), Sub (Gen 3) combo for around 1.9lakhs. Ofcourse, price keeps changing and have not yet checked if it's available cheaper with any retailers. |
Mate,
tbppjpr has made some very good suggestions. Further:
You could consider a hybrid of the options you mentioned, ie a large TV and a 5.x.x system. TV prices are falling rapidly, and TVs have some obvious practical advantages, especially the ability to work well with ambient light.
Also please go through
this 14 point post for general pointers, which was not only to @
mail2sekh, but also more general. Some more stuff on soundbars below.
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Soundbars vs More Traditional Setups
Let us first get some basics in place. How do we get a sense of soundstage and sound imaging? (I will not be distinguishing between the two terms and be using soundstage for both). While I talk of music below, it is typically applicable to movies too.
Soundstage is really based on what our left and right ears, and the
difference between what they hear. (Music aside, consider how we know if a sound around us is coming from the left, right, front etc - it is based on that difference between the left and right ear inputs to the brain).
Basically, what is needed for a good and proper soundstage is to have our left and right ears hear differently, as is there in the recording (left and right speakers produce slightly different sound). This can not effectively and faithfully be reproduced when the speakers are close together as in a soundbar, or any set of speaker-drivers placed close to each other. Marketing and other gimmicks will play around to make one believe otherwise, of course, but a
good and keen listening without preconceived notions would likely clear this up for most. While ambient sounds of space might be well produced, the difference can well be noted in the location and separation of various instruments and sounds.
This is also why speaker placement is considered vital in a good sound setup.
Further, the principal idea of a good system is to reproduce what sound engineers and artists intended in their recording (further flavoured a bit with the listener's personal taste, and allow to compensate for the listener's acoustic environment). Now, since placement of speakers can vary a lot, and that has a huge effect on how sound is perceived, the sound recording engineers can't cater to all setups, as those listening setups are themselves compromised. What can they do? They work as per speakers in a typical good location (this can further be based on some set standards, but a somewhat different topic). The good locations would be with at least the front speakers being widely separated. IIRC in most setups, if lines are drawn from the front speakers to the MLP (main listening position), they would form an angle of about 50-60 degrees (25-30 degrees either way), and may extent up to 90 degrees (which is considered to be on the higher side, though has worked well for me in the past).
In case you're wondering why sound recordings need to consider the above: to give the soundstage and imaging, the sound engineers are really playing with how the sound differs between what the left and right ears hear to create that soundstage/image. (There are other factors like how much and the nature of sound decay etc, but that would sidetrack the issue). This may be knowingly controlled by the sound engineer, or often simply be taken care of by the software. It is also a part of the artistic expression of the artist.
(There is also the issue of how sound reflections from the room play a role in enhancing the sound too. Am avoiding that as it would become needlessly long and tedious.)
Knowing that the recordings are done with the above parameters, any soundbar with drivers all set close to each other is all but a compromise. Acoustically, they should not really be compared to proper traditional systems with proper speaker placement. They are more of lifestyle and convenience devices.
The above said, I do appreciate that one might not really care for sound as much to mess up the decor or go through some painful and at times ugly setups and may care for practicality. Just that we should not mix up good sound with that stuff.
The above logics can be extrapolated to surround speakers etc.
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Additional notes:
1. Other issues like driver sizes, enclosure sizes, transition between higher frequency drivers and subwoofers etc have not been dealt with above for the sake of brevity. They all too play a significant role, but might be
somewhat addressed by soundbars, though typically aren't.
2. In soundbar demos, do note the music being played. If it is predominantly vocal, the soundstage would typically mean the vocals being in the centre, and the compromise of the soundbar would be felt lesser. Demo music is carefully chosen to make the particular system sound good. For the same reason, Bose typically avoids deep male vocals in their demos, as they are poorly usually represented in their systems. Some notes on this on a decade old and somewhat humorous thread:
https://www.team-bhp.com/forum/car-e...icroscope.html (How to select ICE? - Did he run to the freezer with his microscope?)
3. The above was written not only for @satnan but also for the others who are considering soundbars. Could not quote all individually, so just highlighted the topic as a heading.